In these videos she is depicted as having black eyes with no irises or pupils, unlike 2-D whose eyes were fractured by Murdoc's stolen Vauxhall Astra, but this difference is likely because the pan of the video was zoomed entirely on her eye, making the green noticeable. In the video for "El Mañana" she has green eyes, which contradicts the previous videos where her eyes are seen: "19-2000", "Rock the House", and "Dare". She was also noticeably taller with thinner legs, and occasionally seen sporting a monkey named Mike.
Gorillaz website 2006 cracker#
This resulted with her earning the name "Noodle" (her only currently known name), and replacing Paula Cracker as the band's lead guitarist.Ĭharacter appearance For the Demon Days album, Noodle was seen with a notably different look, no longer sporting her trademark radio helmet as well as having a noticeably more feminine fashion style and lighter skin tone. She ended her solo with a 20 foot high karate kick before bowing and saying the word "Noodle". Once the crate was taken inside, Noodle sprung out of the box and performed a guitar solo (which 2-D described as "200 demons screaming in Arabic.
Noodle arrived at the doorstep of Kong Studios in 1998. After temporarily clearing her memory of the project, Kyuzo smuggled Noodle to the United Kingdom in a FedEx crate and falsely reported her death (along with the other 22 children) to his superiors. The phrase used to place Noodle in her state of amnesia was known as Ocean Bacon. Rather than killing her, Kyuzo placed her in a state of amnesia through use of verbal commands. Kyuzo was then ordered to dispose of all possible traces of the failed experiment, as well as its participants.Īfter killing the other 22 children, Kyuzo was reluctant in killing Noodle. After the children were deemed too dangerous and unstable for combat, the project was scrapped. Noodle, along with 22 other children, were trained with the sole purpose of fighting as soldiers of the Japanese military and government.
Noodle spent a portion of her childhood in Japan as a subject of a classified Japanese super soldier project under the management of the Japanese scientist, Mr. Instead, it feels like a musical vacation for all parties involved - a little self-indulgent, but filled with enough fun ideas and good songs to make this virtual band's debut a genuinely enjoyable album.Noodle was born in Osaka, Japan on October 31, 1990. Albarn has fun sending up Blur's cheeky pop on songs like "5/4" and "Re-Hash," their trip-hop experiments on "New Genious" and "Sound Check," and "Song 2"-like thrash-pop on "Punk" and "M1 A1." Despite the similarities between Albarn's main gig and his contributions here, Gorillaz isn't an Albarn solo album in disguise Nakamura's bass- and beat-oriented production gives the album an authentically dub and hip-hop-inspired feel, particularly on "Rock the House" and "Tomorrow Comes Today." Likewise, Del tha Funkee Homosapien, Miho Hatori, and Ibrahim Ferrer's vocals ensure that it sounds like a diverse collaboration rather than an insular side project. Musically, however, Gorillaz is a cutely caricatured blend of Albarn's eclectic Brit-pop and Nakamura's equally wide-ranging hip-hop, and it sounds almost as good as the band looks. It's too bad that there isn't a DVD version of Gorillaz, with videos for every song, à la the DVD version of Super Furry Animals' Rings Around the World.
And initially, Gorillaz' self-titled debut feels incomplete when Hewlett's imagery is removed the concept of Gorillaz as a virtual band doesn't hold up as well when you can't see the virtual bandmembers.
Gorillaz website 2006 update#
The amazing "Thriller"-meets-Planet of the Apes clip for "Clint Eastwood" is so visually clever that it's easy to take the song's equally clever, hip-hop-tinged update of the Specials' "Ghost Town" for granted. Admittedly, Hewlett's edgy-cute characterizations of 2-D, Gorillaz' pretty boy singer (who looks a cross between the Charlatans' Tim Burgess and Sonic the Hedgehog), sinister bassist Murdoc, whiz-kid guitarist Noodle, and b-boy drummer Russel are so arresting that they almost detract from Gorillaz' music. It's tempting to judge Gorillaz - Damon Albarn, Tank Girl creator Jamie Hewlett, and Dan "The Automator" Nakamura's virtual band - just by their brilliantly animated videos and write the project off as another triumph of style over substance.
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